Re-creating Film Stills

CONTACT SHEET
I had to do different settings for each contact sheet because the contrast on the negatives were all different.

























Time: 18
Aperture: 8
Filter:0

Time: 8, 10 ,12
Aperture: 2.8
Filter:o

Time:4, 6, 8, 10
Aperture: 5.6
Filter:2

COMPOSITIONS











(Original Photo from Simone)
Here is the photo with two subjects in it from Simone. The two men are outside, so the lighting is more natural. I aimed to apply this in my photo as well. Also the emotions, specifically the facial expressions were key for the photo as well.
(Digital Photo)















There are different subjects in my digital and analogue photos because I had to re-shoot, and different people were available. The light wasn't natural enough for the photo so when I re-shot I took the picture outside.

















(Analogue Photo)
Time:28
Aperture: 8
Filter: 0

Here the contrast was stronger than my previous round of negatives. I additionally like the way in which the photo is set up. There is a general focus to the two. Also their facial expressions were similar to the cheesy grin and the serious face.












(Original Photo from Simone)
Here is the photo from the movie. He is reading a magazine. He is outside, and there is a strong light source from the back that creates a partial halo which is visible behind the hair. He also has some light on his right shoulder and arm, in which I tried to incorporate into my picture.
(Digital Image)
















(Analogue Photo)
Time: 12
Aperture: 2.8
Filter: 5

This print was a difficult one to develop because it had a weak contrast. When I went to the extremes though, the contrast become visible. I like how the lighting hits in the photo. There is even a partial halo.

(Original from Simone)
Here is the picture of the group shot with thirteen people from the movie. Our photography class didn't have that many people in it so I took a picture of only a section of it. The class had to take the photo outside due to the lighting.











(Digital Photo)
















I found that the contrast was strong in this image, even from the contact sheet. I like how everyone has their own unique position.

(Analogue Photo)

Time: 18

Aperture: 2.8

Filter: 0

Re-creating Film Stills

THEORY NOTES

1940's
This is a picture taken from the movie from The Third Man from 1949. This image is released from the Selznick Releasing Organization. Even though the man is smiling the body language is similar to the picture from Simone. Both have a reading device in their hands. The lighting has some similarities and differences. The similarity between the two is that both of them have a ligt coming from the backlight, and light that is on the hair. The main difference is there is a more distinct shadow in the Simone photo and in the image to the left the shadow is seen behind the man, so therefore there is a strong lighting source from the right side.














1960's

This is a picture from the movie Bonnie and Clive from 1967. I thought this image related to the image in which I recieved from the movie Simone (below). Even though there aren't as many people in the group, both pctures have the men and women standing. Also in both images, you can see that all the people are wearing work apparel. In addition, both of the pictures have the men and women in different positions. Although the picture from Bonnie and Clive has the people holding guns, the Simone is having the group hold briefcases. However espite the difference, the lighting can be found to be similar as both groups are found outside. Natural lighting is the basic lighting component in both cases. (also the photographer is unknown)



TODAY (2008-9)
Photos of actors taken by Dimitrios Kambouris.
Here is a picture from the film Milk. The movie has been filmed in 2008 yet it will be showing in January 2009. This picture with the two subjects is similar to the picture in which I recieved from Simone (below). The body language is almost identical yet the man on the right, from the image from Milk, doesn't have a phone, yet his body is still faced in the similar direction and his facial expressions are almost matching. The girl on the left has her elbow up life the man in the Simone photo. Her body is facing the man on the right yet her face is the only thing turned. However the man in the Simone photo seems interested in what the man on the phone is doing as the girl is interested in what the man on the right is looking at. In addition, the lighting is similar. There is a light coming from the back, as you can see on the girl's back arm (Milk) and the man's face (Simone). Also the lighting on all four heads, and light set-up are similar.

Re-creating Film Stills

Image Bank
This photo is taken by Claudette Barius. Barius is a still photographer. She enjoys filmography and has taken photos for several movies. This is a picture from The Italian Job. Even though there are two subjects I find the picture to be similar to the picture of the individual from Simone. Here in Venice ther two men are gathered prior to the mission. The lighting is very natural as it is taken outdoors when there isn't such a strong sunlight focussed on one area.



Mark Seliger is an editorial photographer. He is from Amarillo, Texas but is currently in New York working for Conde Nast Publications. Here he has taken many cover shots for Vanity Fair and GQ. Before this, he was te Chief Photographer for the Rolling Stones Magazine, where he took over a hundred cover shots. This was over a period of ten years from 1992. Seliger's art pieces have been displayed in exhibitions and mueseums world-wide. Mark Seliger's photos have recieved many awards, for instance he has recieved The Alfred Elsenstaedt Award. He has taken shots from Lifeboat including this one. The two photos (with a group of people) both include a fairly large group. The boat takes place outside, so therefore both have similar lighting. These also have similar lighting to the image in which I was given. Also all three have a group of people in work apparel. The main difference is in these two they are in a boat and in the one from Sim 1 the people are all standing. The first image (above) is from the actual movie made in 1944.

Here is a picture I chose from The Great Escape. The picture below was taken in 1963 and the photographer is unknown. The picture however is simliar to the image with two subjects in it, which I recieved. The picture reminds me of the scene. I like how the main focus is on the characters even though the backdrop is in perfect view.


Here is another photo for the two subjected photo.

This photo is from the movie Bride Wars. This photo from the film was taken in 2008. There were photos from the movie taken from Kevin Mazur. Kevin Mazur is a world-class photographer. He loves rock and roll music and is from New York. After graduating highschool Mazur recieved a camera. He started to take photos at concerts, combinging both things in which he loves. He became a staff photographer for the Rolling Stones Magazine, which allowed him to take several photos of various stars including Bob Dylan, The Roling Stones, and Ozzy Osbourne. Later in the 1990's Mazur became the preferred concert photographer fro rock and roll. Currently, in 2001 Mazur co-founded WireImage which is a leading agency for digital photographs specifically of the media.
I chose this picture because the positioning was similar to the two-personed photo. Also the expression on the lwomans face on the left is practically identical. Also this time there are two woman instead of men. The lighting is similar though, as it is consistant.



Mirjana Vrbaski
Mirjana Vrbaski was born in Canada where she grew up along with Serbia. She currently lives in holland and attends the Royal Academy of Art, The Hague, The Netherlands. Her work has been exhibited in exhibitions in both groups and solo. One of her group exhibitions included The National Portrait Gallery, London, UK. This is where she recieved the Taylor Wessing Photographic Portrait Prize. A solo exhibition includes The Royal Theater, The Hague. In addition to the Taylor Wessing Photographic Portrait Prize, Mirjana has received the Shortlist, Best Four Entries. Mirjana as a child always found interest in simplistic things; she didn't like brand names or items that stuck out greatly. Her interest continued later in her life as well. When she starte to take photos she would go to abandoned apartments and take photos of dust and cockroaches. Her photos can't look modern or from any certain time period either. This way it causes people to really think about the peron. In other words, the attention is directly drawn upon the face. She even claims that she uses simple colors for the backdrop and makes sure that everything is equal. For instance the image below (left), the girl has no expression, her hair is parted down the middle, and her shoulders are about equal. As the hair is pulled back, the emphasis of the face continues to lack any additional attention that is unwanted. It additionally takes Mirjana awhile to find the right face, the model, and how the lighting should be situated.

For more information go to: http://mirjanavrbaski.com/
More resources:
http://www.kevinmazurphotography.com/
http://www.imdb.com/title/tt0901476/
http://www.imdb.com/title/tt0057115/
http://www.imdb.com/title/tt0037017/
http://www.markseliger.com/
http://www.imdb.com/title/tt0317740/
http://movies.yahoo.com/movie/contributor/1809116136
http://www.imdb.com/title/tt0041959/
http://www.imdb.com/title/tt1013753/
http://www.imdb.com/title/tt0061418/

Hair

Diary Entry
This time for some reason it took my forever to reel up my negatives, once I got them I was able to reel them up I was able to process my film. The funny thing was it took a few others awhile as well. After making my contact sheet my compositions were fairly similar so the time for developing flew by. However I did have to add a filter to a print, but otherwise the settings were fairly similar. During developing I really played around with the idea of filling the paper with the full size image or whether or not I should not fill up the whole page. I liked how the images appeared when they were presented as full sized so I proceeded with that.

Contact Sheet
















Time: 7
Aperture: 2.8
Filter: 0

Compositions
Composition #1
This was my first and only test strip. The contrast was similar to the contact sheet so that is the reason for the similar timing. The strongest contrast was at 10 seconds so that is how long my print was exposed for.


Time: 10, 15, 20
A: 5.6 F:0




Here the two subjects both create a mood for the piece. Since there is lacking expression, the attention is directed at their hair. Also since Shani's (the subject on the left) eye is slightly covered we tend to not focus on her face as much anymore.


Time: 10 A: 5.6 F:0




Composition #2
This was my one and only test strip. The times were similar to the contact sheet because the only reason for the increased time was the enlarger. This is because as you raise the enlarger (increasing the size of the image) you need to add more time to receive the same contrast as a smaller photo.
Time: 10, 15, 20
A: 5.6 F:0




This picture of Meghan is at an angle due to her askew head angle. Even though she has some facial expression, her hair is detailed and the texture brings the focus to the image.


Time: 13 A: 5.6 F:0





Composition #3
Time: 20, 22, 24, 26
A:5.6
F:2



Time: 12, 14, 16, 18
A: 2.8
F:2


Time: 26, 28, 30, 32
A: 5.6
F: 2


I could tell that the contrast on my contact sheet wasn't strong enough so I needed more time.
I had done some other test strips before and that is the reason why I have a filter of two. Now for my second test strip I decreased the time and opened my aperture (to 2.8) to increase the contrast. However I wanted to double check that I was heading in the right direction so I did another test strip at aperture 5.6 with an increased time to recieve a stronger contrast. I ended up using 17 from the second test strip.

This photo focuses on the hair but it additionally brings a mood to the photo. The depth of field also contributes to the focus of the hair, as it is sharp.

Hair

Theory Notes
Flashes
• The earliest flash bulbs consisted of magnesium flash powder nowadays the flash units are often electronic flashtubes.
Direct flash
• Most familiar with (commonly used)
• Emits a burst of light directly at the subject
• Common with a built-in flash camera
• Images will usually have harsh shadows and there will be an issue with the “red-eye”
• Can reach a long distance
Fill Flash
• Used to help balance light levels of a subject and the shadow areas, so the film can then capture both
• Can be used to brighten a subject, when there is a back light in use
Bounce Flash
• Best solution to avoid problems caused by direct flash
• Allows the flash to have the head angled in order to reflect the light off the ceiling or a reflector connected to the flash unit, this effect allows a portrait to be flattering, as the light becomes soft and diffuses its way through the photo
• However when you bounce the light from the ceiling you will lose some of the light being reflected (the typical amount is about 2 stops)
• Bounce flash is also helpful when taking photos with windows and mirrors, because the light wont be harshly reflected, due to the fact that the flash won’t be directly pointed towards the source
Slow Sync
• A combination of flash and a slow shutter speed
• Allow you to expose for low light situations (such as cars at night)
• When taking a picture of a moving object at night, the normal front curtain sync (flash), will record the subject at the beginning
Front Curtain Sync
• Normal style of flash synchronization (the flash fires when the shutter first reaches its peak opening)
• Used when you want to freeze motion at the beginning of the picture
Rear Curtain Sync
• The flash will fire at the end of the peak, shutter opening as opposed to the beginning
• Freeze a moving subject at the end of the frame
Stroboscopic
• A mode that will allow you to firs flash rapidly and several times, during one exposure, as the subject moves across the frame
• Normally would be used with a long exposure, allowing a result of a moving object frozen in the air









Light Meters
Hand Held Exposure Meters
• Measure the light falling onto a light-sensitive cell, then it converts the measurement into a reading
• The reading is used to correct the shutter speed and aperture

Incident vs. Reflected
• Two ways of measuring light
Incident- when the meter is aimed directly at the light source, measuring the light source which falls directly on the scene or subject (this isn’t due to the reflectance of the subject), can be used to measure several light sources falling on separate parts of a scene, the advantage: measure accurately, consistently, and are not affected by the reflectance of a subject or a scene
Reflected- reads the intensity of the light reflecting off the subject (this could be due to color, contrast, etc.)

• Spot meters can also be used where precise readings are made of small areas of the scene, its narrow field measure light reflected from as small as one-degree circle.
• For more accurate readings try to meter an area in your photo that is neutral grey as possible, if there is no such areas then try to meter areas that have a variety of colors to receive accurate readings (specifically when taking photos of scenery)



An example of a scene to use a light meter is a sunset.
For sunsets you need to take the reading of the light on the medium light areas of the sunset. The circle shows the area in which the sunset’s
















For more information check out the sites below:
http://www.bhphotovideo.com/find/Product_Resources/lightmeters2.jsp
http://www.weatherscapes.com/techniques.php?cat=general&page=metering
http://www.vividlight.com/Articles/611.htm
http://en.wikipedia.org/wiki/Flash_(photography

Hair

Image Bank


Paige Craig is a professional photographer who has had experience as she was a model, a stylist, a makeup artist, and more. Craig is based in Los Angeles, California. Her work has been displayed in over 32 countries.

I chose this picture because even though there are a lot of things occurring in the picture the hair still stands out to me. The hair styles are different as the lady with her dark brown curly hair, and then the guy behind the mask, with the shortly cut hair.

Photo by Paige Craig

Wayne Wallace is a professional photographer who loves challenges. Wallace studied photography in high school and then attended the Hallmark Institute for Photography.

I chose this picture because the hair shape, color, and style are so unique that they create the attention for the photo. I also like how the light hits the subject from the side and the front. There are slight shadows casted upon the subject.
Photo by Wayne Wallace






Jim Crone is a well known photographer in the UK. He is recommended by the Hairdressers Journal. Crone travels around the UK to take photos at different salons.

I chose this photo because the photo is taken at a side angle. The subject’s askew arm allows the angle to be portrayed. In addition, the subject’s hair covers her eyes so this brings the focus to the hair.


Photo by Jim Crone


References:
http://www.jimcronephotography.com/
http://www.waynewallace.com/blog/labels/Hair%20Design%20Photography.html
http://www.wallacephoto.com/photography/about/about_the_artist.html
http://paigecraigphotography.com/about.html
http://trendscaping.inyourhead.com/2009_04_01_archive.html

Lighting (Part 2)

Diary Entry
Taking the photos was fun. The class worked together well to help one another so that everyone else had their photos needed. This time I processed two rolls of film because when I was shooting, the time of day was perfect so I thought I would continue shooting when I was done with the first roll of film. Processing went well until the final wash. Right when I had one more minute to go, the sink started to leak, causing the floor to become a huge puddle. We then had someone come in to repair it. The problem was a cap was stuck in the sink drain, which is physically impossible due to the cap’s larger size. In the dark room it was again nice to get back into the swing of things. This time half of my prints had similar timing s so it went fast for some, but on my other prints their times were quite unique.


Contact SheetsTime: 40 Aperture: 5.6 Filter: 0

Time: 50 Aperture: 5.6 Filter: 0

The yellow circles are the shoe images, the red circles are the accesory images, and the blue circles are for the fashion images.

Compositions

Fashion
Composition #1



Time: 30, 35, 40
Aperture: 4
Filter: 0

This was my first test strip. This test strip is a test strip from a similar photo. I didn't use a test strip for my final print because I ended up using this test strip as a reference as they had the same contrast.















I like how the three are leaning against the wall with a mood. Abby and Fabrizio on the right have a natural mood, yet Josh is smiling. After printing the photo there was a small black dot above Josh's right eye. This is due to my negative. The dot is also visible on the negative too.


Time: 36
Aperture:4
Filter: 0










Composition #2


Time: 40, 45, 50
Aperture: 5.6
Filter: 0

This was my first and only test strip. I realized that this photo had a similar contrast as the contact sheet so I used similar times. This lead up to the seconds for the final print.
















This print has a different angle to it which adds a different effect. The focus is aimed at the clothing. This angle allows the audience to look at the clothing first. I like how the contrast came out and the angle.



Time: 47
Aperture: 5.6
Filter: 0











Composition #3


Time: 50, 55, 60, 65
Aperture: 5.6
Filter: 0

This was once again my first and only test strip. I noticed that this photo was a little lighter when it appeared on the contact sheet so I used the time accordingly.
















I like how the image has the subjects peer out one-by-one. The angle allows the focus on each of the subjects. Also I like how the sunlight is hitting the subject from the head downwards.




Time: 75
Aperture: 5.6
Filter: 0











Accessories
Composition #4
Far left: Time: 14, 16, 18
Aperture: 2.8
Filter: 0
I needed more time to create a stronger contrast.

Middle: Time: 20, 24, 26
Aperture: 2.8
Filter: 0
The contrast was a lot stronger but I wanted to see if I could even make it stronger by adding a little more time.

Far Right: Time: 34, 36, 38
Aperture: 2.8
Filter: 0









In this picture I ended up choosing the time of 30 seconds from the middle test strip because the contrast was the best there. In this picture the sun creates an outline of the subject's face. Also the sunlight also allows the watch to have a glow.


Time: 30
Aperture: 2.8
Filter: 0












Composition #5
This was my first and only test strip. I realized that this print would additionally have similar time as the contact sheet due to the contrast. At 44 seconds the strongest contrast was displayed.
Time: 40 42 44
Aperture: 5.6
Filter: 0



This print pulls the audience's attention toward the accessories: the belt, the ring and the bracelets. I like how the sunlight hits the jewelry creating a glow.


Time:44
Aperture: 5.6
Filter: 0








Composition #6
Far left: Time: 46, 48, 50
Aperture: 5.6
Filter: 0
In order to receive a stronger contrast I need to add more time.

Middle: Time: 20, 22, 24, 26
Aperture: 2.8
Filter: 0
Instead of increasing the times I opened the aperture. In order to increase the contrast I still needed to add more time.

Far Right: Time: 30, 32, 34
Aperture: 2.8
F:0
Now I found the correct time for the strongest contrast at 34 seconds.






With the subject looking at her scarf, it pulls the audience's attention. The accessory looks as though it sparkles. This is due to the sunlight.





Time: 34
Aperture: 2.8
Filter: 0











Shoes
Composition #7

These are two test strips that I used for my final print. The first test strip needed a greater amount of time because the bricks in the background had lines that were too light. After I did my second test strip I managed to created stronger lines for the bricks.


Top test strip: Time: 40, 42, 44, 46
Aperture: 5.6 Filter: 0
Bottom test strip: Time: 50, 52, 54
Aperture: 5.6 Filter: 0



The contrast is really strong. The dark shoes with the white laces create a stronger focus for the image. I like how the shoes are up onto a stand and then the jeans have several crinkles creating texture.

Time: 59
Aperture: 5.6
Filter: 0

Composition # 8
Top test strip: Time: 40, 42, 44, 46
Aperture: 5.6
Filter: 0
This test strip needed a stronger contrast so I decided to add more time.

Bottom test strip: Time: 50, 52, 54
Aperture: 5.6
Filter: 0
The contrast became a lot stronger in the second test strip. You can now see the flower with more detail.

With the shoes coming in from the left the deep black shoes create a strong contrast between the flowers and the grass. The jeans and the grass also create texture.

Time: 58
Aperture: 5.6
Filter: 0

Composition # 9

This was my first and only test strip. I noticed that this photo had a similar contrast to the contact sheet so I kept the times similar. Also I chose to do a final print at 35 because 40 seconds would have been too dark for the pair Time: 30, 35, 40, of shoes on the far left.

Aperture: 4 Filter:0

I really like this print because of the hard contrast of the white shoes and the darker shoes. I also like how the shoes kind of intertwine with one another. The angles of the shoes bring out their own characteristics as well.

Time: 35 Aperture: 4 Filter:0

Theory Notes

Sun light

• · Available light
• · Best to take photos when the sun I lower in the sky (probably early morning or late afternoon)
• · When shooting a picture with the sun too high- subject’s eyes can be in the shadow or the eyes may be squinted.
• · Earlier or late afternoon images- color of the light is warmer + is more pleasing for the subject
• · Sunlight from behind can be quite nice too, but don’t want to get a glare in the lens- which would degrade the contrast of the photo

These two photos were taken at the same time of day. The main difference is the position of the sunlight. The right photo has the sunlight coming from behind. In the right photo, the faces are exposed correctly and the sunlight highlights the hair. In the left photo the sunl

ight causes the kids’ eyes to be in shadows and cause the kids to squint their eyes.

For more information and examples go to:

http://www.geofflawrence.com/photography_tutorial_available_light.php

low light

• · Two categories generally: natural light (sunlight) and artificial light (lights bulb for example)
• · Evening is good if you want a strong contrast, when at dawn the light will be warmer
• · Use a tripod so photos come out sharp or lean on something sturdy
• · Where you place your arms can contribute to your photo- so try to have you arm as close to you chest as possible to avoid the slightest of movements
• · Almost necessary to raise you ISO speed but this will add more grain to your photo
• · Make sure to widen your aperture to allow more light to come through the camera and to disable your flash
• · Also if you turn your timer on then you are continuing to limit any shaking movement to cause your photo to go blurry

The picture on the left is a picture at dawn where the light is warmer. The picture to the right is a picture taken at night of Christmas lights. As you can see the contrast is stronger.

For more information and examples go to:

http://www.brighthub.com/multimedia/photography/articles/9969.aspx

http://www.hp.com/canada/portal/hho/digital_photography/take_better_photos/tips/night.html

Image Bank

James Stanfield was born into a family of newspaper photographers. He has traveled to over 120 countries to take photos. His goals are to take photos of the world, cultures, places and events.

I chose this picture because all of the priests are wearing similar outfits which allow the viewer to focus on the clothing. I also like how all of them have glasses (whether its sunglasses or reading glasses).

Admiral Robert E. Perry led an expedition to the North Pole (known to be one of the first) in April 1909. His crew is in the picture. Research has shown that his crew was about 30-60 miles short of the actual pole.

I like this picture because I like the way they are all wearing heavy duty coats as they are bundled up to a high degree. I also like how the subjects are placed in the center of the photo creating a line. The subjects are almost wearing the same outfit too.

Reza is a well-known photographer, taking photos for National Geographic and other major international publications. When he was 16 he began to teach himself photography and then enrolled into the University Tehran, where he studied architecture. Reza has additionally worked for TIME and for Agence France Presse.

I chose this picture because I liked how the uniform was presented on the children. I also like how the light hits them from the front creating a distinct outline, as there is a broad backlight as well.

Michael S. Lewis is a freelance photographer. He has been assigned with many major international publications such as National Geographic, Time, and People. Also Lewis has created a book with his photos called Colorado’s Centennial Farms and Ranches.

I chose this picture because the woman has a vivid scarf that pulls the focus of the image towards it. Also I like how the scarf adds a feel of movement to the picture, as though the wind is moving the scarf.

Jodi Cobb specializes in large-scale global stories. Cobb has worked in over 50 countries as a staff photographer for National Geographic. Cobb was one of the first photographers to cross China when it was open to the west. Cobb was also the first women to be named White House Photographer of the Year.

I like this picture because the veil is more of a cultural accessory, as it is not mandatory to wear, especially those with the eye slits. The accessory puts focus on the eyes of the one who wears the veil.

John Kernick is a photographer that specializes in taking photos of a variety of subjects, specifically those that relate to travel or food. Karnack is from the United Kingdom, but he lives in New York.

I chose this picture because I like how the wings, the necklace and the crown were put onto the dog. The accessories add a characteristic effect to the dog.

Todd Gipstein has been a photographer, writer, and producer for over 30 years. He attended Harvard University where he studied writing and film. As a photographer and lecturer he has traveled around the world for his job, especially when he worked for National Geographic.

I like this picture because of how the light from the sunset causes the boot to form a silhouette creating a distinct outline. The outline is unique and therefore brings the audience’s attention to the boot.

Tim Laman is a photographer of wildlife and a field-biologist. Through his pictures he promotes endangered and rare species. Laman has been a contributor to National Geographic for over 12 years.

I like this picture because the blue feet are very distinct. Well one may say these are not shoes exactly yet if you put a imaginative spin to the photo the bird looks like it is wearing blue boots. I also like how the photographer’s main focus of the image is the bird’s feet or shoes.

Terry Ryan began taking photos for large advertising agencies in Paris and London, such as Omega. When he first opened his studio he focused on fashion. He is always ready to face new challenged. He has a strong passion for photography.

I like this picture of a man reclining back and kicking-up his feet because in a way the mood tends to be relaxed yet there is a strong focus on the shoes. I also like how the shoes are distant from the bookcase in the background. In addition, I like the way the light hits the shoes creating a shine.

References:

http://www.8ml02.co.uk/john_kernick/index.htm

http://photography.nationalgeographic.com/photography/photos/life-color-red/red-cardinals-stanfield.html

http://photography.nationalgeographic.com/photography/photos/life-color-yellow.html

http://photography.nationalgeographic.com/photography/photos/north-pole-expeditions.html

http://photography.nationalgeographic.com/photography/photos/life-color-blue/blue-feet-laman.html

http://www.gipstein.com/

http://www.terryryan.co.uk/index.php?id=5

http://travel.nationalgeographic.com/places/gallery/saudiarabia_veiled-bedouin-woman.html

http://photography.nationalgeographic.com/photography/photos/life-color-orange/orange-boot-gipstein.html

http://travel.nationalgeographic.com/places/photos/london-gallery-2/london-clubrow.html